On the occasion of the anthological exhibition of Paolo Ulian's work, Pata interviewed him, trying to retrace and understand his work and his universe.
It must be because of the frame, at least a little. That little chapel from the 500s, intimate, modest and sweet, right next to the Basilica di Sant'ambrogio.
Martino Gamper had begun to "play" with the masters starting with Giò Ponti, just in order to not attract attention let's say, then, recently, in order to present this collection of ...
"Formal training always creates certain formulas and certain kinds of solutions that you learn in school. And what i've always tried to do is to get people to unlearn what they learned in ...
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